Watercolor: Methods and Techniques
There are so many exciting and different ways to approach a watercolor painting, but what are the best applications for all of these techniques? Come discover the limitless possibilities of this versatile medium. Working from both still-life objects, design exercises and photographs we will explore topics of color mixing, value and composition. Learn expressive brushwork, clear vibrant glazing, lifting, masking/ stencils, pour painting and spattering techniques that will give your paintings more energy and emotional impact.
Fleisher will be closed on Monday, May 25, to observe the Memorial Day holiday, the make-up session will be on June 8.
What you will learn:
Brushstrokes and washes
Value and composition wash studies
Reserving whites, glazing, and layering
Caran D’ache crayons and watercolor
A water bucket/container
Brushes: Small round soft brush (#6), Medium round soft brush (#12), 1″ Flat Brush
Dry pastels or watercolor crayons
Good quality watercolor paints either in tube form or pan form such as Winsor Newton, Van Gogh, Holbien, Sennilier. Have at least two shades of blue, red and yellow plus a brown and green. Some recommended shades: Cobalt Blue, Phathalo Blue- Winsor Blue, Ultramarine Blue, Cadmium Red, Bright rose, Quinacridone Red or Alizarin Crimson, Hansa Light or Auerolin Yellow, New Gamboge Burnt Seinna (brown) Sap green, Phthalo Green or Viridian
Good quality watercolor paper. 140lb weight or heavier. Many people like using paper with a cold press finish. This can be either sheets or blocks with a minimum size of 9” x 12”.
HB pencil and sharpener
Paint mixing tray (this can be part of your paint set)
Sea sponge (optional)
Spray bottle (optional)